Facial proportions can vary according to ethnic background and gender. Traditionally men have more angular faces and more pronounced brow just above the eyebrow line. Examine the images shown to see how the eyes fall in the middle of the entire skull, between the tip of the head and chin. In-between the eyes is a space equal to the width of one of the eyes. Halfway between the eyes and the tip of the chin is the line where the mouth opening will fall. Although the model on the left is a young adult female, the proportions are the same as an adult. Her features are merely softer and less angular than seen in an older mature looking individual.

Remember these are merely guidelines and will need to be adjusted to fit the subject that you are depicting. Below is that of a middle-aged male’s profile. When you are drawing a subject keep in mind where your light source is coming from, the same rules apply to drawing a human being as to drawing anything else. The trick is to be objective and to draw what you see and not what you think you know. Look at the subject carefully and try to look at the person you are drawing more than the paper you are drawing on. Always work from life whenever possible, if you can not find a model or do not feel comfortable doing so as of yet, just use a mirror and do a self-portrait.

 

Part Three – Palettes

Part Two –  Mediums

Part One – Materials

 

So, what has happened in the last week?  A small local exhibit of paintings began with a reception on the 12th. It will run until mid Feb. See pics/post of reception here.

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Current piece (commission) on the easel – Underpainting 9X12″

I have also managed to do some boring but necessary office work: New letterhead and decided upon a new basic bookkeeping system. Other than that the focus has been to adjust to a work schedule that allows me to get things accomplished, but also have my lazy time 🙂

I am working on a new series of portraits for January.

The process I am use is to create a monochromatic underpainting before applying the identifiable skin tones. The work is from photo references, due to time and space restraints.

Recent oil painting progress…

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The underpainting was created using burnt umber and mineral spirits.

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Once the underpainting is dry to the touch I can begin putting other colors onto the canvas.

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Final painting 12X16″ Oil on Canvas – “Joe #2”

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