Today was spent boxing up all the work that is ready for a show that will be hung Monday. I also updated inventory lists and made sure marketing materials are up to date.  There are still three paintings I could not pack up as they are still drying in some fashion. But they will be ready to go and walk out the door by Monday.

Below are two items that will be included.

16X20" Oil on canvas

16X20″ Oil on canvas

9X12" oil on canvas

9X12″ oil on canvas

So the big question now, what is next?

  • Well hopefully I will have some sales (or LOTS!) at the exhibit, perhaps line up some more commission pieces?
  • Then to line up more exhibits over the next year. There are some small galleries in the area I have not shone in for years so perhaps at least one will be on the agenda.
  • I now have ties in Wichita so I need to look that direction for possible opportunities. I keep thinking KC also, but Wichita is calling me.
  • I also need to have reproductions made: Something else I have not looked into for years.
  • Finish writing that book, the one that I now have a multitude of notes on from research!

But for now, I need to get this studio back into shape. Every surface in here is covered with books, photos, notes and painting supplies. Then I want to just sit down and knit for a few days, without interruption. To clear my head and further challenge the analytical part of my brain…..while eating chocolate. Who knows maybe I will design a thing or two while I am at it. :0)

Over the past few weeks I have been re-releasing tutorials from the old site. A few of them include:

I also have been painting, and adding new work to the collection for an upcoming exhibit at the Bowlus Fine Art Center! The show is due to go up October 20th, giving me just over five more weeks. This is very doable! Wish me luck <3

Portrait OIl on Canvas

9X12″ NFS

Portrait OIl on Canvas

9X12″ NFS

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“Wha?!” 8X10″ Oil on canvas – NFS

The above piece is a quick study I did the other day. Created from a photo that captured my attention.

My fourth of July will consist of the traditional food, fireworks, family and friends. This year it will be on a smaller scale since it falls on a Thursday.

I haven’t taken the week off.  But I guess I am giving myself a lot of leeway. As of the last two days I focused on painting and napping. Not necessarily in that order.  My husband is on vacation from his job this week.  So it is hear-by decided I can blame him for my lack of initiative!

The final installment of our “Painting In Oils” series.

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“Cameron” 12X16″ Oil on Canvas

There are probably as many ways to approach painting as artists. In this post I attempt to show how I paint portraits.

First, you need to gather your supplies:

  • Mineral Spirits
  • Rags (Or Paper Towels)
  • 12X16″ Stretched Canvas
  • Linseed Oil
  • Oil Paints (Utrecht)- Titanium White, Burnt Umber, Cobalt Blue, Yellow Ochre, Burnt Sienna, Ultramarine Blue, Cadium Red. Naples Yellow and Dioxazine Purple
  • Paint Brushes (Utrecht) – Round #00, #2, #3, Filbert #4
  • Small Mirror
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Step One Example

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Step One – Detail

Step One:

  • Use mineral spirits with burnt umber oil paint to create a wash and lay in the basic shapes.
  • Use only the larger brush during this step.
  • Do not use any linseed oil or other medium at this point.
  • Push and pull the values to work out the composition, working from big to small shapes.
  • Use the small mirror to check your work. The mirror helps you to see problems in proportion etc…
  • You are not committed at this point.  If it not working just wipe off the thin paint and start over.
  • Only concern yourself with getting the basic shapes and forms at this point.
  • Make sure you keep with the traditional placement of the features in mind as you work.
  • Remember the more white you add the slower it will dry so use it sparingly.
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Step Two Example

Take a brief break and step away before beginning step two. So you have a fresher perspective.

Step Two:

  • If the paint is dry to the touch, oiling out will help with the paints flow and correct use of color.
  • Correct anything that may not look correct from Step One.
  • Begin to lay in the basic colors of the flesh and develop the values further.
  • Keep the strokes loose and fresh as you can. Be sure of each stroke before you make it.
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Step Two – Detail

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Paint Mix Detail

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Step Three Example

Step Three:

  • Deepen and enrich the colors of the flesh further. Work with smaller brushes only if necessary, but keep the freshness of the strokes. Do not become too tight.
  • Develop the clothing further and at least lay in the basic colors.
  • Darken the background and play with the push and pull of edges of the figure.
  • Notice the flesh here has blue in the shadows.
  • Continue checking your work with a small mirror to be sure you are making the progress you think you are.
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Step Four Example – With inspirational paintings attached to easel.

Step Four:

  • Build up the shirt area with equal looseness you have in the flesh tones.
  • Touch up detailed areas of the features, still trying to not be too tight.
  • Reinforce the texture on highlighted areas of flesh.
PartFiveInProgress

Step Five Example

Step Five:

  • Be sure to include highlights on iris and pupil.
  • Fill in the rest of the dark background.
  • Develop edges of figure with the background so they are cohesive and not seen as being in two totally different spaces.
  • Sign into the wet paint at this point. Or, try to wait to sign the work until the paint is dry.  This way if you make an error it can easily be wiped off without disturbing what painting has been accomplished.
partfivedetail

Step Five – Detail

At this point I could continue building the piece with more and more detail. Instead I have chosen to stop here and leave it with the loose brushstrokes.

Tips:

  • Be sure to take regular breaks.  I tend to do so every hour. It just happens that Pandora internet stations play approx ninety minutes before pausing.
  • Clean your brushes well at the end of each painting session.
  • To keep oil paint wet from one work session to another consider placing it in the freezer in a closed container.

Part Six – Oiling Out

Part Five – Gallery Wrapped Canvas

Part Four – Facial Proportions

Part Three – Palettes

Part Two –  Mediums

Part One – Materials

Two commissions are being painted at the moment. The plan is to wrap them up by the end of the month.

In about six months time I think we need to look at increasing prices. So just a heads up!

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Underpainting 8X10″

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Oil on Canvas 9X12″

I have an obsession with chandeliers and things sparkly.  I took some time yesterday to take a few reference images for a future project at a local shop. The last one, the little black chandelier, I am thinking would look cute in my studio/office. 🙂

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So, what has happened in the last week?  A small local exhibit of paintings began with a reception on the 12th. It will run until mid Feb. See pics/post of reception here.

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Current piece (commission) on the easel – Underpainting 9X12″

I have also managed to do some boring but necessary office work: New letterhead and decided upon a new basic bookkeeping system. Other than that the focus has been to adjust to a work schedule that allows me to get things accomplished, but also have my lazy time 🙂

I am working on a new series of portraits for January.

The process I am use is to create a monochromatic underpainting before applying the identifiable skin tones. The work is from photo references, due to time and space restraints.

Recent oil painting progress…

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The underpainting was created using burnt umber and mineral spirits.

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Once the underpainting is dry to the touch I can begin putting other colors onto the canvas.

joeoneasel

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Final painting 12X16″ Oil on Canvas – “Joe #2”

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