Recently I worked on updating a price comparison list that I keep on hand for personal use. It includes oil painting materials from popular art suppliers such as Dick Blick, Utrecht, Jerry Artarama, Cheap Joes among a few others. Because I find this useful when ordering, I want to share this information with you. It is available in both a .xlsx (MS Excel includes comments related to product comparisons) and PDF file.

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$7.99 eBook Sale Until August 12th Only!

(Regular Price $9.99)

Order your copy with PayPal.


***After sending payment with PayPal check your email for download information.***

Step-by-step examples and instructions show you how to create a realistic human head in polymer clay, grounded in fine art tradition.

You Will Discover:

  1. Tools and clays recommended by the author
  2. How to mix a wide variety of skin tones and ranges.
  3. Examples and demonstrations showing how-to create each portion of the human head.
  4. Two methods of sculpting heads will be covered, so you can find the method that works best for you.
  5. And much more!

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The beginning of the ultimate collection of information for the polymer clay artist working with the realistic human form

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Printed Version Available Through LuLu for $22.95

http://stores.lulu.com/bartonstudio

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Artist/Author Diane Dobson Barton’s work is in private and public collections around the globe. She holds a M.A. in Art and B.S.E.D. in Art Education from Pittsburg State University.

“This book is very thorough, well-written and illustrated. I think it is one of those must-have books for all levels. I feel it is great instruction for beginners, tips and methods for intermediates and reference for the more experienced sculptor.”

– Nina

“I wish I had this YEARS ago!”

– Katherine

“The large number of images make it easy to follow and understand.”

– Jerry

 

So supposedly the ideal image to have on Pinterest for marketing is vertical.  It helps to gain more exposure due to the layout. But HOW do you go about making one fast and inexpensive?

I have Photoshop and Gimp, both of which can do pretty amazing things.  But I prefer to use PicMonkey these days for quick edits that do not require more complicated results.

Pinterest How-to VerticalLooking at JUST creating the layout that is necessary, lets get started!

  1. First you need the images you want to include in the collage.  It is a good idea to have them where you can easily locate them, such as on a folder in the desktop, or on a jump-drive.
  2. Go to Picmonkey.com and click on Create a Collage, click Open Photos and add the ones you want to include.
  3. Go down to the icon below Create a Collage, choose Biggie Smalls with the largest number of squares on the right. You can easily change the number of whichever one you choose, but for ease of starting lets stick with that has the most.
  4. Click Open and drop and drag the images where you want them. If you want to add text in an open space keep that in mind and do not place images in each one. (To remove a square go to that square and click on the X to delete.  To add drop and drag you image to the space between the squares)
  5. Save the image by hitting Save, then Save Photo – Again in an place that you can easily locate.
  6. Close the project by hitting the X in the upper right hand side of the PicMonkey work area. Not the browser “X”
  7. Open PicMonkey again and this time click on Edit a Photo and open the collage you just made.
  8. Click on Crop and adjust to create the shape you desire, click on Apply.
  9. Add any text by clicking on the P, choose the desired font and click on Add Text. A text Box will appear on the screen. Make necessary adjustments in the size of the font and location of the text box.
  10. Hit Save, then Save Photo again to your desired location.

TA-DAH!  Now you can upload the image you just made to your Blog or Pinterest.

Basic Color Theory

The following information is intended as a basic understanding of color for the painter, general crafter or for the photographer.

Basic Color Wheel

Primary Colors – Red, Yellow and Blue are the basics of  color mixing. They can not be made on their own, but in theory you can make all the other colors on the color wheel

Secondary Colors – Violet, Green, and Orange are the colors that are created secondly by mixing the primary colors together.

Examples of  – Subtractive Color Theory  / Additive Color Theory

Subtractive Color – if you add its three primaries (Red, Green, Blue), the end result is white.

Additive Color – when the primaries cyan, magenta and yellow are mixed the end result is black. This is the color theory we are using here.

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Color Schemes


ComplementaryColors are opposite each other on the color wheel. For instance the compliment of Blue is Orange, the compliment of Red is Green etc.

Split Complementary is made by using a color and the two colors next to its compliment. Such as by using Red, and then using Yellow and Blue.

Triadic Color Schemes are made by any three colors that appear an equal distant from each other on the color wheel, such as Red, Yellow, and Blue.

Analogous Color Scheme is made by colors next to each other on the color wheel.

Monochromatic Color Scheme is made from one color or hue with multiple values and intensities.


Warm colors are colors that represent a feeling of warmth or heat such as Red, Orange, and Yellow.

Cool Colors are colors that represent a feeling of coolness and chill, such as blue, blue green and violet.

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Value Scale the amount of light and dark that is shown. The less value the lighter it is.

Contrast is the difference in values. The strongest contrast can be seen by placing the two extremes next to each other. When two lesser extremes are next to each other they are said to have low contrast. The closer they are in value, the lower they are in contrast.

Tints are created by adding White to a value. In the case of hand-coloring a print the white would generally be added by using the paper and having a transparent color wash.


Tones are created by adding Black to a value. In the case of hand-coloring the artist will either add a bit of black to the color or use the existing shades of grey already in the image.

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“Wha?!” 8X10″ Oil on canvas – NFS

The above piece is a quick study I did the other day. Created from a photo that captured my attention.

My fourth of July will consist of the traditional food, fireworks, family and friends. This year it will be on a smaller scale since it falls on a Thursday.

I haven’t taken the week off.  But I guess I am giving myself a lot of leeway. As of the last two days I focused on painting and napping. Not necessarily in that order.  My husband is on vacation from his job this week.  So it is hear-by decided I can blame him for my lack of initiative!

In an attempt to get to know the readers better, let me fill you in a bit about myself.

  1. I turn fifty this year. I am actually looking forward to it. Life should be fun. As Huey Lewis said: “We’re not here for a long time, we’re here for a good time!”
  2. I have two grown daughters and four and a half grandchildren. The half being a new grandson due in Sept.
  3. I am not domestic.  So the chances of seeing any recipe posted by me is slim to none.
  4. I read a great deal, mostly nonfiction. I am a sucker for anything new on business, blogging, writing, or autism.
  5. I am on a continual quest for the perfect office/studio organizing system.  See eBook “Controlling Creative Clutter”.
  6. My office is in a small home I share with my husband, two dogs and a cat. I dream of having a rustic historic building found in most all of rural America.
  7. I am VERY introverted.  I need time alone in order to function well. So the item #6 is not practical in that it would most likely require me to be available to the public.
  8. I don’t eat as well as I should, nor do I often exercise on purpose. I tell myself I will get back to running. But sitting in front of the computer, easel or with a book almost always wins out.

So there you have it: A fifty year old out of shape hermit that paints, writes and blogs. And I am sure some would say a twisted sense of humor. It will surly rear its head before long!

 

Blogging Organization Notebook

Blogging Organization Notebook

In an ongoing effort to be organized and prepared, I have created a Blogging Notebook for myself. In case you are curious, and why wouldn’t you be curious? (Insert sarcastic expression here)

It includes the following:

  • 3 Pocket insert – 1. For goals (traffic and content, among other things) 2. Scrap paper/small notebook (thin moleskin type)/pen and highlighter. 3. Random notes in topic section
  • Monthly Calendar – Broad view of editorial plans.
  • Weekly Calendar – Break down of the week ahead.
  • To-Do Lists – Ongoing without any set time frame.
  • Topics – Outlines for series and notes for upcoming posts.
  • Blog Topic Forms – Helps me see I am meeting goals with each post.
  • Contests – Possible giveaways
  • Advertisements – Information on who, when, where and necessary steps.
  • SEO Information – Record of where I am and ideas on how to improve and get where I want.
  • Product Reviews – Ideas on upcoming reviews – once blog is better prepared.

For some people this may be overkill.  For me it is a place to start and see how it goes. :0) With it all in one place I can easily grab it as I am headed out the door.

“Good landscape painting translates into good figure painting.” – John Singer Sargent

This past weekend I ventured out of my yard to paint plein air and went straight for probably the second toughest corner in our little town.  The first being where our one stop light is. “Tough” because I prefer to paint alone in a quiet studio. But, everyone that stopped to see what was going on was gracious, positive and curious. It was also part of a local plein air event so I had a built in support system.

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Starting to lay in the color

Suggested Supplies:

  • Pochade Box – Purchase one or find directions on making your own here
  • Bag – To carry it all
  • Palette – I made one to fit inside my pochade box. But you might prefer disposable for convenience.
  • Paints – I prefer oils and I tend to use Utrecht brand more than others. I carry the following: ultramarine blue, thalo blue, cadmium yellow light, cadmium yellow medium, cadmium red light, alizarin crimson, titanium white, burnt umber, burnt sienna and sap green.
  • Pencil/pen and paper – to draw out thumbnail before beginning on canvas.
  • Brushes – I prefer round and flat sable or synthetic sable.  I find traditional bristle brushes to stiff. I carry 3-4 brushes.  Sizes are not uniform across brands and I use a variety depending on the best prices.
  • Mineral spirits – I carry mine with three jars.  One to carry full of the mineral spirits another to pour it into, and the third to pour the dirty/used liquid. This way I can have it clean as needed.
  • Linseed Oil – I paint with oil to this is a must have.  I carry a small jar.
  • Canvas/panel – I prefer painting on stretch canvas to panels.  Either 8X10″, 9X12 or 11X14″
  • Umbrella can be handy but I prefer to seek our areas in the shade.  Making another item to carry eliminated.
  • Hat – The few times this year I have painted outside I was SOOO glad I had worn a hat and prevented sun damage.
  • Apron – Mine is one my oldest daughter made in high school.  It is covered in paint an worn but it is my go-to.
  • Camera – To take a shot of what you are working on in case you need to finish it later in the studio.  It can also help give you a fresh view of what you are putting on the canvas.
  • Sunscreen – I live in Kansas and I am so pale I burst into flames when I step outside. So, sunscreen is a must.  I look for 30 spf and higher.
  • Misc – Paper towels or rags, wet wipes, MP3 player with headphones and of course snackage and drink
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Pochade Box

A pochade box is a portable small painting box you can take with you when painting plein air. The one I made has a small palette that fits inside, holes to insert paint brushes while working, and room for storage of supplies.

If I were to buy a pochade box new it would cost at least $150. There are a number of blogs that show how to make one of your own with cigar boxes and I have a friend that smokes cigars and is generous with giving them away. You can also find them online or from smoke shops for $5-10.  I gathered my supplies over the course of a few months, here and there. In the end it probably cost me about $30 in supplies. As I said the cigar boxes were free and I already had the tripod. You could also look online at as http://www.freecycle.org/ in your area.

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Some of the supplies used

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More supplies!

Supplies used:

  • Three cigar boxes.  I had two the same and one oddball but similar in size to the other two.
  • Small Hinges
  • Small bungee cords
  • Eye-and-Hook closure
  • Odd scraps of cedar wood found inside of cigar boxes – for palette shelves inside of box and for inserting t-nut into. I fyour box does not come with extra pieces of wood, you can always repurpose rullers etc…
  • 4-Bull clips – 1″ wide
  • Skill Saw
  • Dremel Tool – with small drill bit, and sander attachments
  • Pliers
  • Drill – with a variety of size drill bits to for brushes
  • Linseed Oil
  • Rag/Paper Towel
  • Sandpaper
  • T-Nut – either 1/4X20 or 1/4″X20X5/16″
  • Wood Glue
  • Mending Strips – for hinge on side of box
  • Small Screw – to join mending strips
  • Wing-Nut – to fit small screw
  • Small flat screw driver – from set used for computer/sewing machine repair
  • Standard camera tripod with extend-able legs
  • Hammer

The first thing you will want to do is to replace the hinges and closure on the box you use.  The ones put on cigar boxes are almost always weak and break easily.

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Palette made from bottom of the odd-ball third cigar box

Take apart the third odd ball sized cigar box and with skill saw, cut a square palette that will fit into the bottom of the other boxes.

Draw out the placement for the thumb hole. Use a Dremel Tool attachment or drill to make a hole  in the center of the marked area. Using the Dremel Tool or Skill Saw cut out the shape desired. Note: Of everything, this step probably took me the longest.

Once you have the size correct of palette and thumb hole sand the edges down smooth with either sandpaper or with the Dremel Tool.

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T-nut inserted into wood with the tripod attachment

Inside of all the cigar boxes were thin strips of wood that could be pulled out.  I took three strips and layered them together with wood glue, clamped them with the bull clips until dry. It should be plenty dry in a couple of hours.

This create a piece of wood approx 1/2″ thick. I then used the skill saw to cut an approximately 2×3″ shape.

Drill a hole in the center of the wood with a 1/4″ drill bit.

Insert the t-nut into the hole and tap it down with the hammer until the larger flat side is flush with the wood.

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T-nut attached to the bottom

Attach the piece of wood with the T-nut slightly more to toward the top of the box as shown. Due to the wight of the lid and a small canvas it will help to balance it when on the tripod.

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Minding Strips Attached

I put the mending strips on one side only. But you can put them on both if you want. I may wind up later doing that myself. Attach them as shown.

When the box is open, remove the wing-nut, use it and the small screw to connect the two strips.  This will give you the ability to choose the angle of your lid, or easel.

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Palette seasoned with linseed oil and mending strips in use

I used several layers of thin linseed oil on the palette to seal and season it before using. I think it gave it a nice aged looked :0) To do so you simply rub in a thin layer of oil and allow it to dry, and repeat a few times.

This also shows the mending strips in use.

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Palette shelf

Figure out how tall to make your scraps of square wood to enable the palette to rest inside of the box and not sit taller than the edge.  Glue each in a corner with wood glue.

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Brush rest

Carefully take off the hinges off the other box that is the same size as the one you are using.  On one of the half drill holes to insert the handles of your brushes, while painting. You probably will not be taking too many brushes with you so if you have a variety of sizes of 5-7 holes that will be more than enough. Test them out with the brushes you know you want to use and make necessary adjustments.

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Inside of the lid

You need to do something that will keep the lid from smacking up against the inside of the lid. Especially when the palette is covered in wet paint, and you don’t want to have to clean it off each time out in the field.  To help with this I put four thick buttons, one on each corner area to act as spacers.  I plan on also using a piece of wax paper, to keep the lid and palette from sticking together during travel.

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Bungee cords

Three layers, one with holes for brushes, the box you just created, and the other side of a box.  Wrap all three with the small bungee cords to keep secure. Inside of the two outer boxes you can store your paints, brushes, rags, 4 bull clips etc…

Consider cutting down the handles of a paint brushes that do not already fit.

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Designated Plein Air Kit

I chose to have a designated plein air kit:

  • The box materials I just created
  • A small jar to carry mineral spirits
  • Pencil
  • Small jar of linseed oil (and/or any other medium I choose to use)
  • Rags
  • Canvas
  • Plastic bag (to place dirty rags into)
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Completed Plein Air Box

When out in the field attach the box to your tripod, take the two extra halves and attach them with the bull clips and use your lid as an easel.

NOTE: I have seen ones with special attachments for the easel portion.  And I may try something similar in the future. Right now I plan on working fairly small and as portable as possible so this should work for now.

If you decide to build your own or have already and want to share, let us know! Either post links below or email us at art@dianedobsonbarton.com

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