Slaving away on a larger piece, but took a break from it to do a quick study. I have a number of vintage cameras I will be painting on 8X10″s. I love the minty green color!
2. Blog – Can again be a free service as mentioned above. But if using a blog for your site, also have a separate page(s) from your ‘Site” specifically for your regular blogging.
3. Business Cards – Be sure to include all pertinent information (contact email/website/store front URL) and at least one image of your art. I personally prefer to use Moo.com but there are a number of other options including VistaPrint.com.
4. Artist Statement – Write up a paragraph or two letting people know what you would tell them in person about your art, if you could stand next to them viewing an exhibit of your work. You will add this information to your website, brochures and anything else that is appropriate. More information here
5. Facebook Page – Social networking presence is important these days. Facebook is the best place to start in my opinion. More information here
6. Pinterest Page – Can work along with your facebook page. Aimed specifically at visual sharing, so wonderful for artist! Alyson Stanfield information on Pinterest
7. Elevator Pitch – Write up a sentence or two that breaks down exactly what it is that you are creating to sell. Be able to clearly and concisely describe to someone in less than 60 seconds. More information here
8. Brochures – Not everyone is online. Brochures will show your work and explain a bit about you and the work in a concise manner. A must have for an exhibit. More information here
9. Your own domain – You can do a lot of things online to promote your work, but without your own domain you are missing out. Having one will make it much easier to find you and helps to build your branding. One only has to do a simple search to be buried in places to purchase a domain. I personally use GoDaddy.com.
10. Quality Images of Your Art – Probably THE most important thing you can do is to have quality images of your work. Nothing says amateur like bad photos. You want to be seen in the best light possible, bad pun I know! These will be used on your website, business cards, brochure and press releases. The ideal situation would be to have a professional take them for you. If a tight budget is of concern look to hiring a student, or bartering for what you need.
Postcards/Note Cards – Not necessarily a priority when just starting out, but I would shoot for them eventually. Are an easy way to get images of your new work out to be seen, as with images on your business cards. Collectors appreciate them when tucked in with a purchased item.
Mailing Labels – Also not a high priority at first but are nice to have and help to reinforce your branding.
As I type this we are covered in a 2″ sheet of snow and sleet, and I don’t think we are done yet. This gives me a great excuse to stay inside and practice my “hermitude”.
This week I spent time on a head-study. Working on it was a struggle. I just could not get into it. You know that grove you get into as a creative where everything else disappears and hours pass before you know it? Yea, that didn’t happen. But in hind-sight I like some of the looseness of it. Although it seems very neutral and non-committal, it reflects my mood at the time. So I am going with it.
Today I will be beginning the first in a possible series of vintage cameras. There is a turquoise colored model in particular I am interested. But, I do not want to go too far down the rabbit hole of still-life right now.
Facial proportions can vary according to ethnic background and gender. Traditionally men have more angular faces and more pronounced brow just above the eyebrow line. Examine the images shown to see how the eyes fall in the middle of the entire skull, between the tip of the head and chin. In-between the eyes is a space equal to the width of one of the eyes. Halfway between the eyes and the tip of the chin is the line where the mouth opening will fall. Although the model on the left is a young adult female the proportions are the same as an adult. Her features are simply softer and less angular than what would be found in an older mature looking individual.
Remember these are merely guidelines and will need to be adjusted to fit the subject that you are depicting. Below is that of a middle aged male’s profile. When you are drawing a subject keep in mind where your light source is coming from. The same rules apply to drawing a human being as to drawing anything else. The trick is to be objective and to over romanticize, draw what you see and not what you‘think’ you are seeing. Look at the subject carefully and try to look at the person you are drawing more then the paper you are drawing on. Always work from life whenever possible, if you can not find a model or do not feel comfortable doing so as of yet, simply use a mirror and do a self portrait.
This week included a couple of head studies in oil, and an unexpected field trip.
I had a meeting to go to this week in Garnett, KS. You can imagine how pleased I was to see that their Public Library also included an impressive Walker Art Gallery.
I did not plan ahead and only had my cell phone to take pictures. And well my cell phone takes terrible pictures due to the lens being scratched up. The collection includes Manet, Chihuly, John Stuart Curry and Robert Henri. Pretty impressive for our little corner of Kansas!
Next week I will have the fourth installment of the “Painting in Oil Series” :0)
We all know what the traditional artist palette looks like: Large kidney shape with a hole for your thumb. But as an oil painter, what are your other options?
Wooden – The most traditional. Manufactured wooden palettes are sealed with varnish or lacquer, but I prefer to season them also. If you make your own you will need to “season” it. To do so you rub linseed oil into the wood with a rag and allow it to dry. I do this a few times before I use it and then at the end of my painting session 2-3 more times, minimum.
Plastic – Durable and they come in a variety of shapes and sizes. They are usually made of a white plastic that will not stain.
Disposable – Convenient for plein-air painting, and are easy to clean up, made from layers of a wax paper. The top layer is pulled away and thrown out after use.
Re-purpose fast food containers – With the one shown below I use the lid as the palette and the bottom to seal it. I then place it in the freezer to help the paint stay fresh.
Glass – Can be placed on a work surface and any color of paper can be placed beneath to aid in mixing colors correctly. The surface can be scraped clean at the end of the session. Edges of the glass can be heavily taped to prevent sharp edges or a glass cutter can grind them down smooth. A glass thicker than 1/4″ works best.
Color & Tone – If you mix your paint on a dark brown, then go to place the same paint onto a white canvas it will not appear the same. It helps to have a palette close to the color and tone of your working surface. Of course one option is to paint your canvas a closer value to the color of your palette. But this is not always an option.
Shape & Size – Rectangle or kidney shape are the most common. A rectangle fits well in a paint box, while a kidney shape can fit more comfortable on the hand. Either way, in the end it is a personal preference.
Organizing Your Palette – How you place your paints on your palette is up to you. Some prefer light to dark, while others favor cool to warm. Or even a random fashion, it is your call. It is only important that it makes sense to YOU.
- Place your colors along the outer edge so you have an open area in the center for mixing.
- Start with fewer colors and add as you go, particularly if you are a beginner, so as to not waste paint.
- Consider placing the colors the same location each time to build a reliable routine.
Note: There is a new vertical palette on the market that intrigues me. I haven’t tried it yet, but would like to soon. It is a vertical glass surface placed next to the painting, side-by-side.
These are designed by artist David Kassan and I believe they are available only online. If anyone has tried this I would love to hear your thoughts!
This week’s studio update is a bit different. I took a couple of days off to help move our oldest daughter and her family to Wichita. On the drive back I meandered and found a few interesting sites :0)
It does a spirit good to get out and explore a bit from time to time!
Yes Toto, we ARE in Kansas!
I also ventured past “Sculpture Hill” which features the art of Frank Jenson. Sadly, I did not get any pics due to my own poor planning and my selfish desire to not get ran over by a roaring semi. But you can see his work at the Sculpture Hill website. And of course you can see a couple of his sculptures in front of one my favorite places, the Chanute Depot. The depot houses both the Safari Museum and the Chanute Public Library.
Meanwhile, inside the studio there is a new item on the easel I will share next week.
Posting a day early this week. Regrouping over the next few days. Met goals for March, so it is time to focus on February! 🙂
Two commissions are being painted at the moment. The plan is to wrap them up by the end of the month.
In about six months time I think we need to look at increasing prices. So just a heads up!
I have an obsession with chandeliers and things sparkly. I took some time yesterday to take a few reference images for a future project at a local shop. The last one, the little black chandelier, I am thinking would look cute in my studio/office. 🙂