Because you may never know what may happen in the future of your art career, it is always a good idea to have any models sign a release form. If your work is one day used for the cover of a magazine, or other very public publication you are covered legally.

*I have provided a sample model release form for adults and a sample model release form for minors below. You may print and use them or modify them as needed. I provide the sample releases as a convenience only. We make no warranties or representations in connections with these releases. Consult your attorney if you have any legal questions regarding model releases.

Adult Model Release

In consideration of my engagement as a model, upon the terms herewith stated, I hereby give to photographer’s name goes here his/her heirs, legal representatives and assigns, those for whom photographer’s name goes here is acting, and those acting with his/her authority and permission:

      a) The unrestricted right and permission to copyright and use, re-use, publish, and republish photographic portraits or pictures of me or in which I may be included intact or in part, composite or distorted in character or form, without restriction as to changes or transformations in conjunction with my own or a fictitious name, or reproduction hereof in color or otherwise, made through any and all media now or hereafter known for illustration, art, promotion, advertising, trade, or any other purpose whatsoever.

      b) I also permit the use of any printed material in connection there with.

      c) I hereby relinquish any right that I may have to examine or approve the completed product or products or the advertising copy or printed matter that may be used in conjunction therewith or the use to which it may be applied.

      d) I hereby release, discharge and agree to save harmless [photographer], his/her heirs, legal representatives or assigns, and all persons functioning under his/her permission or authority, or those for whom he/she is functioning, from any liability by virtue of any blurring, distortion, alteration, optical illusion, or use in composite form whether intentional or otherwise, that may occur or be produced in the taking of said picture or in any subsequent processing thereof, as well as any publication thereof, including without limitation any claims for libel or invasion of privacy.

      e) I hereby affirm that I am over the age of majority and have the right to contract in my own name. I have read the above authorization, release and agreement, prior to its execution; I fully understand the contents thereof. This agreement shall be binding upon me and my heirs, legal representatives and assigns.

Dated:

Signed:

Address:

City:

State/Zip:

Phone:

Witness:

_____________________

Minor Model Release

For valuable consideration, I hereby confer on photographer’s name goes here the absolute and irrevocable right and permission with respect to the photographs that he/she has taken of my minor child in which he/she may be included with others:

      a) To copyright the same in photographer’s name goes here name or any other name that he/she may select;

      b) To use, re-use, publish and re-publish the same in whole or in part, separately or in conjunction with other photographs, in any medium now or hereafter known, and for any purpose whatsoever, including (but not by way of limitation) illustration, promotion, advertising and trade, and;

      c) To use my name or my child’s name in connection therewith if he/she so decides.

I hereby release and discharge photographer’s name goes here from all and any claims and demands ensuing from or in connection with the use of the photographs, including any and all claims for libel and invasion of privacy.

This authorization and release shall inure to the benefit of the legal representatives, licensees and assigns of photographer photographer’s name goes here as well as the person(s) for whom he/she took the photographs.

I have read the foregoing and fully understand the contents hereof. I represent that I am the [parent/guardian] of the above named model. For value received, I hereby consent to the foregoing on his/her behalf.

Dated:

Minor’s Name:

Parent or Guardian:

Address:

City:

State/Zip:

Phone:

Witness:

Writing an Artist’s Statement

I just heard a Country song, “I’d Like To Check You For Ticks”.  Pretty much says it all doesn’t it.  It speaks to a specific audience and gets the point across in a few words that he would like to see more of her, in that special way’.  How does this relate to art? Well as an artist you should have an Artist’s Statement on hand that says what the audience needs to know. It needs to be short, no more than a page in length and to the point.

Have your audience in mind when you write it. If it is for the general-public, avoid ‘art speak’, and use language your viewer will understand. The best thing is to use the KISS method of ‘Keeping it short and simple’.  You most likely would not like to veer into the Tick area….but you get the idea :0)

Write a draft of your Artist’s Statement and try to have it reflect the real you. Then let it sit for a bit.  An hour, a day, a week, whatever you need to come back to it with a relatively fresh eye.

Sample Artist Statement

Herb R. Ian

Artist Statement Draft

In the turmoil found in today’s world, many find themselves returning to what they know best.  They begin examining people and things with new eyes, as Herb has also done.

Her current work of oil on canvas, explores the personal meaning of items she surrounds herself.  She uses art materials or Raku pottery (an ancient Asian process of firing ceramics) created by another local artisan, John Audley, as subject matter. She blends the pottery into a setting, that includes either art materials and/or more commonly found vessels with a dramatic light and shadow.

__________________________________________

Then divide it into three paragraphs;

1. What you do

“Her current work of oil on canvas, explores the personal meaning of items she surrounds herself.  She uses art materials or Raku pottery (an ancient Asian process of firing ceramics) created by another local artisan, John Audley, as subject matter. She blends the pottery into a setting, which includes either art materials and/or more commonly found vessels with a dramatic light and shadow.”

2. Your Background

Herb has a Master’s Degree in Studio Art and has won a number of awards for her work over the years.  She began working as an artist during her teen years, and over the years she has worked in a variety of mediums from polymer clay to oil paint.

3. How Your Work Affects Others

Because of her vast interest in different mediums and techniques she has begun to turn her attention to putting the information in writing. A virtuous reader she sees this as a way to pass on what she has learned over the years to those that come after.

_________________________________________

The length of your Artist’s Statement should be no more than one page.  Keep it updated to reflect what is accurate.

Use the information to pass out at shows, to clients, on your website, and ‘elevator speak’.  That thirty second blurb to keep in mind for when someone ask, “What kind of artist are you?”

Go back and edit your Statement at least twice before releasing it to the world.  Read it aloud to yourself and have a trusted friend read it before you consider it complete, to see any errors you may have overlooked.

Then put it all together.  I will want to continue to edit this, but at this point it would be alright to release to the world.

Artist Statement

Herb’s current work of oil on canvas, explores the personal meaning of items she surrounds herself.  She uses art materials or Raku pottery (an ancient Asian process of firing ceramics) created by another local artisan, John Audley, as subject matter. She blends the pottery into a setting, which includes either art materials and/or more commonly found vessels with a dramatic light and shadow.”

She began working as an artist during her teen years, and over the years she has worked in a variety of mediums from polymer clay to oil paint. She has a Master’s Degree in Studio Art and has won a large number of awards for her work over the years.

Because of her vast interest in different mediums and techniques she has begun to turn her attention to putting the information in writing. A veracious reader she sees this as a way to pass on what she has learned over the years to those that come after.  She can be found conducting workshops, creating art and working in her Kansas home that she shares with her husband of 15 years.

Now go forth and create that Artist Statement! You will be glad you have it on hand.

Things to keep in mind as your writing:

  • Avoid Jargon
  • Use simple sentences
  • Keep your audience in mind
  • Describe your intentions
  • Avoid cliche’s
  • Choose descriptive language

A design is an arrangement, a way of organizing something. In arts and crafts, even though we use many different materials, the visual appearance can be reduced to six elements of design. They are line, shape, form, space, color, and texture. They are what we organize. They are the tools.

Elements of Design

“Shadow #8” Barton

Line is a mark with greater length than width. Lines can be horizontal, vertical or diagonal, straight or curved, thick or thin. Such as the edge of a building, train tracks and sidewalks etc. Line is used to portray movement, or to suggest a shape.  The wood creates both a vertical and horizontal line, while the shadows create lines that suggest geometric shapes.

Elements of Design

A closed line, Shapes can be geometric, like squares and circles; or organic, like free formed shapes or natural shapes. Usually shapes are used to create a sense of space.  The shape created by the chair is heightened by the increased contrast of the image.

Elements of Design

“R.Mutt” Marcel Duchamp

Forms are three-dimensional shapes, expressing length, width, and depth. Balls, cylinders, boxes and triangles are forms.  The least used of the elements, a three dimensional object. It is difficult to portray a three dimensional object on film, which is by nature two dimensional.

The form within the famous image of the urinal by Marcel Duchamp are said to resemble the same form of many religious sculptures.

Elements of Design

“Artist Alley” Barton

Space is the area between and around objects. Negative space refers to the area of unused or unoccupied area in a photo, negative space has shape. Space can also refer to the feeling of depth. Real space is three-dimensional; in visual art when we can create the feeling or illusion of depth we call it space.

In the image of the alley the plain sides of the buildings, pavement and sky. Play against each others space to create visual tension within the image.

“Field Trip” Barton

Color is light reflected off objects. Color has three main characteristics: hue or its name (red, green, blue, etc.), value (how light or dark it is), and intensity (how bright or dull it is).  You can use color to draw attention to one area o an image.

The yellow and black of the school bus create a frame around the figure, drawing attention to it visually.

“Texture #9” Barton 

Texture is the surface quality that can be seen and felt. Textures can be rough or smooth, soft or hard. Everything three dimensional has some sort of texture.

Paint Palette Artist Needs

1. Time – To relax, dream and breath a creative flow.

2. Security – This can either work for you, or against you. Too much security and you may get lazy and not produce work. Not enough and you may be tempted/forced to focus on things besides your art.

3. Tools – No matter what you do you need some sort of tool, even if it is your finger.  If money is really tight and you can not got your hands on the ideal items, we can learn to use what is available to us, if it is important to us.

4. Space – Even the space between our ears. Perhaps most important the space between our ears! If you can have a physical space to work this shows a priority both mentally and physically.

5. Drive to Create – You HAVE to want it as an outlet and/or as a business need. It is difficult enough to be a creative individual in the world, without a drive to create….forget about it.

6. Discipline – There are a lot of things to juggle when you are an artist: your time, priorities, finances, marketing to name just a few.

7. Passion – An indescribable love of what you do.

8. Support – You need people in your corner, even if it is only the voice in your head.

9. Ongoing Education – You must continue to challenge yourself in order to grow.

10. Guts – (chutzpah) Take the road less traveled and not produce more of the same takes an inner spark.  Some days more than others….

5 Creativity stoppers1. Negative Thoughts – “I can’t do this!” How many times do we hear from others, “I can’t draw a straight line.”? If they tell themselves that it is no wonder! Thoughts are powerful things.

2. Procrastination – Can also be a form of performance anxiety. Tell yourself you will work for ten minutes to start.  If after ten minutes you still do not want to be working on what you are, change it. There are so many things we juggle as artists, that there are always things to be productive.

3. Disorder – I know, I know, I can hear someone thinking now that they are visual people and they require all of their materials out in front of them in order to be creative. The problem with that is that you can wind up with too MUCH stuff out and become visually overwhelmed, not knowing what to focus on. Or you just simply can not find the tools and materials that you need with all the clutter.

4. Over-Thinking – Guilty as charged! This is my weakness. It can be used as a form of procrastination or perfectionism. You simply are making things more complicated than they need to be.  Just start already!

5. Comparing yourself to others – We are all on our own path and your only real competition is yourself. Ask if you are growing and challenging yourself.  All the rest is just distraction.

Note: This tutorial was originally published on my old website. At the time I was sculpting small figures from polymer clay and needed a set-up for taking photos of smaller items.

Start with an sturdy empty cardboard box, small enough to not take up a lot of space. The one we are using here is approx 12″ x 12″ X 12″ when closed. Tape the lower three flaps together at the ends so they are stable.

Drape the fabric of choice inside of the box, loosely lining it.

Tape the upper flap back onto the box with a strong tape. Either roll up and use double faced tape to attach your backdrop cloth to the top of the box. Attach about where the upper half of the fabric naturally would lay. If this is unclear see images.

Attach the fabric to the bottom flap that is laying flat. It will help to keep it from shifting. Here I used a rolled up strip of strong shipping tape for the job. With your hands, press out folds or wrinkles that interfere with the right effect for you images.

I preferred a very flat tight backdrop to the item being shot. So a piece of paper was taped into place inside of the box. This way only the smooth white surface of the paper showed and not the weave of the fabric.If I had only put in a sheet of paper the brown of the box would have not been totally wiped away and the darkness would have not created the look I wanted. Another option is to paint the inside of the box entirely white with a flat paint.

This approximates what the camera will see. The item is encased in white with the light diffused from the upper right hand side.

Because of the position of the set up I chose to not use a tripod. But instead set the camera up on a box for stability. A light, with a Reveal bulb was placed over head to diffuse through the fabric. It was placed closer when shots were taken than shown here. Imagine it placed right over the right hand side of the box, rather than in the upper right hand corner of the shot shown. Here you can see how the fabric is draped from the outside.

Time management image1. Set Goals – Know what you want.  Look at the big picture.

2. Make Lists – If you know what you want, making lists on what to do is the next logical step.  I am a big list maker. This helps you to see how you are going to reach your goals.

3. Be Organized – Be reasonably organized is a big time saver. You won’t waste your time looking for something you need every day. Just be sure you don’t spend all your time organizing and avoid doing what you need to do to meet your goals.

4. Schedule – Have an idea of when you want to meet a goal. Without deadlines you can flounder and not feel a need to complete anything.

5. Do Not Multitask – studies show that the human brain is not designed for multitasking. In face it takes you 50% longer to complete a task if you attempt to do it this way. Instead focus on one thing at a time. Do what is front of you and then move on to the next.

Cons of Day job Artists

Last we looked at the “6 Pros: Day-Job for Artists” this time we will look at the cons.

  1. Energy – As we get older our energy is limited. If you use it up at your day-job, there is nothing left for your art.
  2. Time – A day-job can eat up your time, especially if you take your work home with you mentally.
  3. Commitment – Having a day-job is seen as not having a true commitment to your calling as an artist.
  4. Quality – Both  day-job and art can suffer by spreading yourself too thin and not being fully focusing on either.
  5. Rut – Being in a tough routine can wipe you out both mentally and physically can make your creativity stifled.
  6. Security – It can be easy to get used to the illusion of security of a day-job, making it easy for one to loose their identity as an artist all-together.

Least we forget we are not alone in the struggle, a number of successful artists have also juggled a 9-5 quandary at one time or another.

Famous Day-Jobs:

  • William Faulkner wrote “As I Lay Dying” in the afternoon before working at night as a supervisor at a University Power Plant.
  • Joseph Heller (Author of “Catch 22”) Did magazine advertising by day and was a write by night.
  • Joseph Cornell (artist and sculptor) worked 9-5 in a Manhattan Textile studio.
  • Keith Haring worked as a busboy.
  • Jasper Johns was employed as a bookstore clerk to make ends meet.

 

Pros of a day job for artists

The reality is most artist work a day-job of one kind or another. Finances, time management and self expression require continual juggling. The myth of the artist working as he or she chooses, not needing to concern themselves with finances and always staying creatively challenged, is difficult in reality.

In the next two posts I will explore the pros and cons faced by artists in having a day-job. First let’s look at the pros:

  1. Schedule – Working around a day-job schedule forces you to focus in on what is most important in your art. You tend to waste less time on things that do not matter to the big picture.
  2. Inspiration – The people and events that you are a part of give inspiration you would not otherwise have. The fact is if you work with the public much you will find yourself often saying, “You just can NOT make this stuff up!”.
  3. Interaction – Working as an artist can be a solitary act. Working a day-job forces you to interact face-to-face with other breathing humans.
  4. Equipment – If you are fortunate you will have equipment openly available to you that you could not afford on your own.
  5. Financial Freedom – When you do not need to worry about a roof over your head because the day-job finances it, you feel freer to explore your creative options. That less than desirable commission can be turned down in favor of pursuing your own projects.
  6. Benefits – Insurance, vacation, sick leave and paid training can be difficult to come by when you work exclusively on your art. If you work it right you can use this paid time to your advantage.

To have a day-job can be a tough personal choice, one that needs to be weighed by an individuals situation. Next we will explore the cons.

 

So supposedly the ideal image to have on Pinterest for marketing is vertical.  It helps to gain more exposure due to the layout. But HOW do you go about making one fast and inexpensive?

I have Photoshop and Gimp, both of which can do pretty amazing things.  But I prefer to use PicMonkey these days for quick edits that do not require more complicated results.

Pinterest How-to VerticalLooking at JUST creating the layout that is necessary, lets get started!

  1. First you need the images you want to include in the collage.  It is a good idea to have them where you can easily locate them, such as on a folder in the desktop, or on a jump-drive.
  2. Go to Picmonkey.com and click on Create a Collage, click Open Photos and add the ones you want to include.
  3. Go down to the icon below Create a Collage, choose Biggie Smalls with the largest number of squares on the right. You can easily change the number of whichever one you choose, but for ease of starting lets stick with that has the most.
  4. Click Open and drop and drag the images where you want them. If you want to add text in an open space keep that in mind and do not place images in each one. (To remove a square go to that square and click on the X to delete.  To add drop and drag you image to the space between the squares)
  5. Save the image by hitting Save, then Save Photo – Again in an place that you can easily locate.
  6. Close the project by hitting the X in the upper right hand side of the PicMonkey work area. Not the browser “X”
  7. Open PicMonkey again and this time click on Edit a Photo and open the collage you just made.
  8. Click on Crop and adjust to create the shape you desire, click on Apply.
  9. Add any text by clicking on the P, choose the desired font and click on Add Text. A text Box will appear on the screen. Make necessary adjustments in the size of the font and location of the text box.
  10. Hit Save, then Save Photo again to your desired location.

TA-DAH!  Now you can upload the image you just made to your Blog or Pinterest.

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